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The Vaughan Williams Foundation has made over 5000 items freely available: chiefly letters from Ralph Vaughan Williams, but including some responses which shed light on the subject matter, and also a number of letters from Adeline and Ursula Vaughan Williams. These provide further information and often include messages or observations from Ralph, and there are also letters from Adeline and Ursula written on behalf of the couple. The text of letters written by RVW and UVW remain the copyright of the Foundation.

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The letters are in tabular form and can be sorted by column, or filtered by any keyword including name, musical title, year or subject (singly or in combination). Partial matches will also be found, e.g. searching “sky” will also find “Stravinsky”. To search for a phrase use inverted commas, e.g. “New York”.

To search by letter number, include the prefix VWL, e.g. VWL123.

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Letter No. Title Date Date on Letter
VWL4763 Letter from Ralph Vaughan Williams to the Choir of Kensington High School 19421022 Oct 22 [1942]
VWL4606 Letter from Ralph Vaughan Williams to Mrs Western 193511-- Wednesday [November, 1935]
VWL4536 Letter from Adeline Vaughan Williams to Martin Shaw 19501011 October 11, [1950]
VWL4534 Letter from Adeline Vaughan Williams to Martin Shaw 19480501 May 1 [1948?]
VWL4533 Letter from Adeline Vaughan Williams to Martin Shaw 19491223 December 23 [1949]
VWL4513 Letter from Ralph Vaughan Williams to Martin and Joan Shaw 19421028 28 October, 1942
VWL4459 Letter from Adeline Vaughan Williams to René Gatty 19000101 Sunday night [1 January 1900]
VWL4455 Letter from Adeline Vaughan Williams to René Gatty 19000409 April 9th, [1900]
VWL4305 Letter from Adeline Vaughan Williams to Martin Shaw 191505-- Sunday [May 1915]
VWL4304 Letter from Adeline Vaughan Williams to Martin Shaw 1914---- Monday, [late 1914]
VWL4293 Letter from Adeline Vaughan Williams to Martin Shaw 19150630 June 30th, [1915]
VWL4248 Letter from Ursula Vaughan Williams to Mr Martin Shaw 19570905 Tuesday [3 September, 1957]
VWL4203 Letter from Ralph Vaughan Williams to Joan and Martin Shaw 195302-- [February, 1953]
VWL4202 Letter from Ralph Vaughan Williams to Joan Shaw 19530211 11th February, 1953
VWL4201 Letter from Ralph Vaughan Williams to Joan and Martin Shaw 19530201 [1 February, 1953]
VWL4198 Letter from Ursula Vaughan Williams to Martin Shaw 19580925 25 September, 1958
VWL3964 Letter from Ursula Vaughan Williams to Alice Sumsion 19520224 February 24th [1952]
VWL3962 Letter from Gustav Holst to Ralph Vaughan Williams 19330901 Sep 1, [1933]
VWL3961 Letter from Gustav Holst to Ralph Vaughan Williams 19251111 Nov 11, [1925]
VWL3960 Letter from Gustav Holst to Ralph Vaughan Williams 192304-- April 9
VWL3959 Letter from Gustav Holst Ralph Vaughan Williams 192205-- Friday [May, 1922]
VWL3958 Letter from Gustav Holst to Ralph Vaughan Williams 19140329 Sunday [29 March, 1914]
VWL3922 Letter from Ilse to Alan Bush 19370131 31/1/37.
VWL3921 Letter from Peter and Ilse [Meyer] to Alan Bush 19370115 15/1/37.
VWL3920 Newspaper extract from The Times announcing the marriage of Vaughan Williams and Ursula Wood 19530209 Monday February 9, [1953]
VWL3919 Letter from Gustav Holst to Adeline Vaughan Williams 19310419 Tuesday [19 April, 1931]
VWL3910 Letter from Olin Downes to LeRoy Van Hoesen jr 19550602 June 2, 1955
VWL3909 Letter from LeRoy Van Hoesen, jr to Olin Downes 19550527 May 27, 1955
VWL3902 Letter from Gustav Holst to Ralph Vaughan Williams 19320415 April 15 [1932]
VWL3790 Letter from Alan Bush to Adolph Borsdorf 19571231 December 31st, 1957.

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903

He was one of the most 'complete' men I have ever known. He loved life, he loved work and his interest in all music was unquenchable and insatiable.

SIR JOHN BARBIROLLI, conductor

I was thunderstruck by the symphony last night - and hadn't expected to be. Jagged, pulsating and angry, from that very first clanging dissonance - how can it have come from the same source as the Tallis Fantasia?

AUDIENCE MEMBER, Newbury Festival