Search the letters

The Vaughan Williams Foundation has made over 5000 items freely available: chiefly letters from Ralph Vaughan Williams, but including some responses which shed light on the subject matter, and also a number of letters from Adeline and Ursula Vaughan Williams. These provide further information and often include messages or observations from Ralph, and there are also letters from Adeline and Ursula written on behalf of the couple. The text of letters written by RVW and UVW remain the copyright of the Foundation.

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The letters are in tabular form and can be sorted by column, or filtered by any keyword including name, musical title, year or subject (singly or in combination). Partial matches will also be found, e.g. searching “sky” will also find “Stravinsky”. To search for a phrase use inverted commas, e.g. “New York”.

To search by letter number, include the prefix VWL, e.g. VWL123.

Filter letters

Letter No. Title Date Date on Letter
VWL1151 Letter from Ralph Vaughan Williams to Jessie Stewart 1932---- [c.1932]
VWL1152 Letter from Ralph Vaughan Williams to Rutland Boughton 1932---- [1932 or 1933]
VWL1153 Letter from Ralph Vaughan Williams to Diana Awdry 193103-- [?summer 1931]
VWL1154 Letter from Ralph Vaughan Williams to Edwin Evans 193103-- [Late March 1931]
VWL1155 Letter from Ralph Vaughan Williams to Edwin Evans 193104-- [April 1931]
VWL1156 Letter from Ralph Vaughan Williams to Edwin Evans 193104-- [April 1931]
VWL1159 Letter from Ralph Vaughan Williams to Cedric Thorpe Davie 19370307 March 7 [1937]
VWL1161 Letter from Ralph Vaughan Williams to Geoffrey Bush 19370317 March 17 [1937]
VWL1164 Letter from Ralph Vaughan Williams to Gustav Holst 193109-- [September, 1931]
VWL1166 Letter from Ralph Vaughan Williams to Ina Boyle 19370411 April 11 [1937]
VWL1174 Letter from Ralph Vaughan Williams to Iris Lemare 19370414 [14 April 1937]
VWL1176 Letter from Ralph Vaughan Williams to Ina Boyle 19370503 Monday [3rd May 1937]
VWL1177 Letter from Ralph Vaughan Williams to Harriet Cohen 193110-- [late October 1931]
VWL1179 Letter from Adeline Vaughan Williams to Cordelia Curle 19340103 Wed [3rd January 1934]
VWL1180 Letter from Adeline Vaughan Williams to Diana Awdry 19340104 Jan 4 [1934]
VWL1185 Letter from Ralph Vaughan Williams to Diana Awdry 19340217 Sat 17th [February 1934]
VWL1186 Letter from Adeline Vaughan Williams to Martin Shaw 19471227 December 27 [1947?]
VWL1187 Letter from Ralph Vaughan Williams to Alice Sumsion 19500724 July 24 [1950?]
VWL1191 Letter from Ralph Vaughan Williams to Edward Elgar 19340219 Feb 19th [1934]
VWL1193 Letter from Ralph Vaughan Williams to Ernest Chapman 19470325 [25 March, 1947]
VWL1194 Letter from Ralph Vaughan Williams to Isidore Schwiller 19340304 March 4 [1934]
VWL1195 Letter from Ralph Vaughan Williams to Diana Awdry 19340425 [25th April 1934]
VWL1196 Letter from William H. Reed to Ralph Vaughan Williams 19340503 3/5/34
VWL1197 Letter from Ralph Vaughan Williams to Ina Boyle 19340311 March 11 [1934]
VWL1198 Letter from Ralph Vaughan Williams to Diana Awdry 19340317 [17th March 1934]
VWL1199 Letter from Ralph Vaughan Williams to Gustav Holst 19340317 Sat: [March 17th 1934]
VWL1202 Letter from Ralph Vaughan Williams to James Craufurd (Madrigal Society) 19501206 6th December, 1950
VWL1203 Letter from Ralph Vaughan Williams to Frederic Wilkinson 19370811 August 11th 1937
VWL1205 Letter from Ralph Vaughan Williams to Professor H.G. Fiedler 19370816 August 16 1937
VWL1206 Letter from Adeline Vaughan Williams to Ralph Vaughan Williams 19370905 Sunday aft [5th September 1937]

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903

He was one of the most 'complete' men I have ever known. He loved life, he loved work and his interest in all music was unquenchable and insatiable.

SIR JOHN BARBIROLLI, conductor

I was thunderstruck by the symphony last night - and hadn't expected to be. Jagged, pulsating and angry, from that very first clanging dissonance - how can it have come from the same source as the Tallis Fantasia?

AUDIENCE MEMBER, Newbury Festival