Search the letters

The Vaughan Williams Foundation has made over 5000 items freely available: chiefly letters from Ralph Vaughan Williams, but including some responses which shed light on the subject matter, and also a number of letters from Adeline and Ursula Vaughan Williams. These provide further information and often include messages or observations from Ralph, and there are also letters from Adeline and Ursula written on behalf of the couple. The text of letters written by RVW and UVW remain the copyright of the Foundation.

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The letters are in tabular form and can be sorted by column, or filtered by any keyword including name, musical title, year or subject (singly or in combination). Partial matches will also be found, e.g. searching “sky” will also find “Stravinsky”. To search for a phrase use inverted commas, e.g. “New York”.

To search by letter number, include the prefix VWL, e.g. VWL123.

Filter letters

Letter No. Title Date Date on Letter
VWL4374 Letter from Ralph Vaughan Williams to Elizabeth Maconchy 19530729 29 July, 1953
VWL4300 Letter from Ralph Vaughan Williams to Marc Vignal 19570303 March 3rd, 1957.
VWL4081 Letter from Ralph Vaughan Williams to Simona Pakenham 19580819 August 19th 1958
VWL3954 Letter from Ralph Vaughan Williams to Adrian Boult 1944---- Oct 18 [1944]
VWL3953 Letter from Ralph Vaughan Williams to Adrian Boult 19500108 Jan 8 [1950]
VWL3898 Letter from Ralph Vaughan Williams to Grace Williams 1931---- [1931]
VWL3897 Letter from Ralph Vaughan Williams to Grace Williams 1931---- [1931]
VWL3887 Letter from Ralph Vaughan Williams to Grace Williams 1931---- [1931?]
VWL3873 Letter from Ralph Vaughan Williams to Grace Williams 19321228 December 1932
VWL3855 Letter from Ralph Vaughan Williams to Grace Williams 1931---- [1930s?]
VWL3689 Letter from Ursula Vaughan Williams to Michael Mullinar 19580921 September 21st 1958
VWL3688 Letter from Ralph Vaughan Williams to Michael Mullinar 19571220 December 20th 1957
VWL3687 Letter from Ralph Vaughan Williams to Michael Mullinar 19500920 20th September, 1950.
VWL3686 Letter from Ralph Vaughan Williams to Michael Mullinar 19500821 Aug 21 [1950]
VWL3685 Letter from Ralph Vaughan Williams to Michael Mullinar 19491123 23rd November, 1949.
VWL3684 Letter from Ralph Vaughan Williams to Michael Mullinar 19471004 October 4th [1947?]
VWL3683 Letter from Ralph Vaughan Williams to Michael Mullinar 19470207 Feb 7 [1947]
VWL3682 Letter from Ralph Vaughan Williams to Michael Mullinar 19460705 July 5 [1946]
VWL3681 Letter from Ralph Vaughan Williams to Michael Mullinar 19460521 May 21 [1946]
VWL3680 Letter from Ralph Vaughan Williams to Michael Mullinar 19460220 Feb 20 [1946]
VWL3679 Letter from Ralph Vaughan Williams to Michael Mullinar 19410623 June 23 [1941]
VWL3678 Letter from Ralph Vaughan Williams to Michael Mullinar 19400908 Sunday [8th September 1940]
VWL3677 Letter from Ralph Vaughan Williams to Michael Mullinar 19400708 July 8 [1940]
VWL3676 Letter from Ralph Vaughan Williams to Michael Mullinar 19330828 28 August 1933
VWL3675 Letter from Ralph Vaughan Williams to Michael Mullinar 19291021 [21 October 1929]
VWL3674 Letter from Ralph Vaughan Williams to Michael Mullinar 19210205 [5 February 1921]
VWL3673 Letter from Ralph Vaughan Williams to Michael Mullinar 194808-- [August 1948]
VWL3672 Letter from Ralph Vaughan Williams to Michael Mullinar 194203-- [About March 1942]
VWL3671 Letter from Ralph Vaughan Williams to Michael Mullinar 194103-- Sunday [about March or April 1941]
VWL3670 Letter from Ralph Vaughan Williams to Michael Mullinar 194009-- Tuesday [September 1940]

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903

He was one of the most 'complete' men I have ever known. He loved life, he loved work and his interest in all music was unquenchable and insatiable.

SIR JOHN BARBIROLLI, conductor

I was thunderstruck by the symphony last night - and hadn't expected to be. Jagged, pulsating and angry, from that very first clanging dissonance - how can it have come from the same source as the Tallis Fantasia?

AUDIENCE MEMBER, Newbury Festival