Search the letters

The Vaughan Williams Foundation has made over 5000 items freely available: chiefly letters from Ralph Vaughan Williams, but including some responses which shed light on the subject matter, and also a number of letters from Adeline and Ursula Vaughan Williams. These provide further information and often include messages or observations from Ralph, and there are also letters from Adeline and Ursula written on behalf of the couple. The text of letters written by RVW and UVW remain the copyright of the Foundation.

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The letters are in tabular form and can be sorted by column, or filtered by any keyword including name, musical title, year or subject (singly or in combination). Partial matches will also be found, e.g. searching “sky” will also find “Stravinsky”. To search for a phrase use inverted commas, e.g. “New York”.

To search by letter number, include the prefix VWL, e.g. VWL123.

Filter letters

Letter No. Title Date Date on Letter
VWL1962 Letter from Ralph Vaughan Williams to Katharine Thomson 19450915 Sept 15 [1945]
VWL1949 Letter from Ralph Vaughan Williams to Norman Peterkin 19441203 Dec 3 [1944]
VWL1945 Letter from Ralph Vaughan Williams to Adrian Boult 19450808 Aug 8 [1945]
VWL1942 Letter from Ralph Vaughan Williams to Victor Hely-Hutchinson 19441025 Oct 25th [1944]
VWL1940 Letter from Ralph Vaughan Williams to Roy Douglas 19441015 October 15 [1944]
VWL1937 Letter from Ralph Vaughan Williams to Victor Hely-Hutchinson (BBC) 19441013 [13 October 1944]
VWL1917 Letter from Ralph Vaughan Williams to Sir Henry Wood 19440531 May 31 [1944]
VWL1910 Letter from Ralph Vaughan Williams to Norman Peterkin 19440404 [4th April 1944]
VWL1889 Letter from Ralph Vaughan Williams to Victor Hely-Hutchinson (BBC) 19450514 May 14th 1945.
VWL1872 Letter from Ralph Vaughan Williams to Adrian Boult 19450207 Feb 7 [1945]
VWL1846 Letter from Ralph Vaughan Williams to Norman Peterkin 19440101 Jan 1/1944
VWL1819 Letter from Ralph Vaughan Williams to Norman Peterkin 19431114 Nov 14 [1943]
VWL1766 Letter from Ralph Vaughan Williams to Imogen Holst 1948---- [?1948]
VWL1754 Letter from Ralph Vaughan Williams to Oxford University Press 19430309 [9 March 1943]
VWL1694 Letter from Ralph Vaughan Williams to Norman Peterkin 19420928 Sept 28 [1942]
VWL1687 Letter from Ralph Vaughan Williams to Norman Peterkin 19420908 [8th September 1942]
VWL1686 Letter from Ralph Vaughan Williams to Norman Peterkin 19420905 September 4th 1942.
VWL1681 Letter from Ralph Vaughan Williams to Norman Peterkin (OUP) 19420825 Aug: 25 [1942]
VWL1679 Letter from Ralph Vaughan Williams to Norman Peterkin 19420809 Aug 9th [1942]
VWL1670 Letter from Ralph Vaughan Williams to Gerald Finzi 19420603 June 3rd, 1942
VWL1669 Letter from Ralph Vaughan Williams to Norman Peterkin (OUP) 19420531 [31 May 1942]
VWL1661 Letter from Ralph Vaughan Williams to Norman Peterkin 19420516 May 16 [1942]
VWL1659 Letter from Ralph Vaughan Williams to Norman Peterkin 19420501 May 1 [1942]
VWL1648 Letter from Ralph Vaughan Williams to Gerald Finzi 194-0620 June 20th [194-?]
VWL1641 Memorandum from Norman Peterkin to Sir Humphrey Milford 19420424 April 24th 1942
VWL1585 Letter from Norman Peterkin (OUP) to Ralph Vaughan Williams 19411110 [10 November 1941]
VWL1584 Letter from Ralph Vaughan Williams to Hubert Foss (OUP) 19411106 Nov 6 [1941]
VWL1583 Letter from Ralph Vaughan Williams to Gerald Finzi 19411102 Nov 2d [?1941]
VWL1578 Letter from Ralph Vaughan Williams to Norman Peterkin 19410831 Aug 31 [1941]
VWL1550 Letter from Ralph Vaughan Williams to Harry Blech 194109-- Thurs [mid-1941]

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903

He was one of the most 'complete' men I have ever known. He loved life, he loved work and his interest in all music was unquenchable and insatiable.

SIR JOHN BARBIROLLI, conductor

I was thunderstruck by the symphony last night - and hadn't expected to be. Jagged, pulsating and angry, from that very first clanging dissonance - how can it have come from the same source as the Tallis Fantasia?

AUDIENCE MEMBER, Newbury Festival