Search the letters

The Vaughan Williams Foundation has made over 5000 items freely available: chiefly letters from Ralph Vaughan Williams, but including some responses which shed light on the subject matter, and also a number of letters from Adeline and Ursula Vaughan Williams. These provide further information and often include messages or observations from Ralph, and there are also letters from Adeline and Ursula written on behalf of the couple. The text of letters written by RVW and UVW remain the copyright of the Foundation.

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The letters are in tabular form and can be sorted by column, or filtered by any keyword including name, musical title, year or subject (singly or in combination). Partial matches will also be found, e.g. searching “sky” will also find “Stravinsky”. To search for a phrase use inverted commas, e.g. “New York”.

To search by letter number, include the prefix VWL, e.g. VWL123.

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Letter No. Title Date Date on Letter
VWL5228 Letter from Gustav Holst to Ralph Vaughan Williams 1903---- Saturday [1903]
VWL5227 Letter from Gustav Holst to Ralph Vaughan Williams 1903---- Tuesday [1903]
VWL5131 Letter from Ralph Vaughan Williams to the Editor of The Listener 19560809 [9 August, 1956]
VWL4753 Letter from Ralph Vaughan Williams to Gerald Cockshott 19530118 18th January, 1953
VWL4476 Letter from Ralph Vaughan Williams to Frank Howes 19400927 Sept 27 [about 1940?]
VWL4304 Letter from Adeline Vaughan Williams to Martin Shaw 1914---- Monday, [late 1914]
VWL3864 Letter from Ralph Vaughan Williams to Grace Williams 1952---- Whit Sunday [1952?]
VWL3786 Letter from Alan Bush to Ralph Vaughan Williams 19551118 18th November 1955.
VWL3767 Letter from Alan Bush to Ralph Vaughan Williams 19550929 September 29th, 1955.
VWL3766 Letter from Ralph Vaughan Williams to Alan Bush 19551023 October 23rd 1955.
VWL3765 Letter from Alan Bush to Ralph Vaughan Williams 19551028 28th October 1955.
VWL3760 Letter from Alan Bush to Ralph Vaughan Williams 19551004 4th October 1955.
VWL3759 Letter from Ralph Vaughan Williams to Alan Bush 19551006 October 6th, 1955.
VWL3698 Letter from Ursula Vaughan Williams to Alan Bush 19590115 January 15th 1959
VWL3571 Letter from Ralph Vaughan Williams to Adrian Boult 19571001 Oct 1st 1957
VWL3505 ‘The Fifteenth Variation’: Transcript of VW’s contribution to Elgar Centenary Programme on the BBC from the recording 195705-- [May 1957]
VWL3502 Piece on Ralph Vaughan Williams by John Ireland 195809-- [1958]
VWL3490 Letter from Ralph Vaughan Williams to Michael Kennedy 19570509 May 9th 1957.
VWL3420 Letter from Rutland Boughton to Ralph Vaughan Williams 19580109 9.1.58
VWL3374 Letter from Martin Shaw to Ralph Vaughan Williams 19580216 Feb 16th 1958
VWL3348 Letter from Ralph Vaughan Williams to Michael Kennedy 19560701 July 1st 1956.
VWL3217 Letter from Ralph Vaughan Williams to Roger Fiske (BBC) 19551108 November 8th 1955.
VWL3214 Letter from Ralph Vaughan Williams to Adrian Boult 19551030 October 30th 1955
VWL3200 Letter from Ralph Vaughan Williams to Alan Bush 19551002 October 2nd 1955.
VWL2730 Letter from Ralph Vaughan Williams to Rupert Erlebach 19531011 October 11th 1953.
VWL2553 Letter from Ralph Vaughan Williams to Rupert Erlebach 19521203 3rd. December, 1952.
VWL2479 Letter from Ralph Vaughan Williams to John Ireland 19521005 Oct 5th [1952]
VWL2475 “The Stanford Centenary” BBC talk by Vaughan Williams 19520930 Recorded: 13.8.52
VWL2464 Letter from John Ireland to Ralph Vaughan Williams 19520829 August 29th, 1952
VWL2451 Letter from Ralph Vaughan Williams to Mr Johnston (BBC) 19520719 July 19 [1952]

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903

He was one of the most 'complete' men I have ever known. He loved life, he loved work and his interest in all music was unquenchable and insatiable.

SIR JOHN BARBIROLLI, conductor

I was thunderstruck by the symphony last night - and hadn't expected to be. Jagged, pulsating and angry, from that very first clanging dissonance - how can it have come from the same source as the Tallis Fantasia?

AUDIENCE MEMBER, Newbury Festival