Search the letters

The Vaughan Williams Foundation has made over 5000 items freely available: chiefly letters from Ralph Vaughan Williams, but including some responses which shed light on the subject matter, and also a number of letters from Adeline and Ursula Vaughan Williams. These provide further information and often include messages or observations from Ralph, and there are also letters from Adeline and Ursula written on behalf of the couple. The text of letters written by RVW and UVW remain the copyright of the Foundation.

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The letters are in tabular form and can be sorted by column, or filtered by any keyword including name, musical title, year or subject (singly or in combination). Partial matches will also be found, e.g. searching “sky” will also find “Stravinsky”. To search for a phrase use inverted commas, e.g. “New York”.

To search by letter number, include the prefix VWL, e.g. VWL123.

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Letter No. Title Date Date on Letter
VWL5135 Letter from Ralph Vaughan Williams to the Editor of the Morning Post 19041004 4 October, 1904
VWL5134 Letter from Ralph Vaughan Williams to the Editor of The Daily Chronicle 19060526 Saturday 26 May, 1906
VWL5109 Letter from Ralph Vaughan Williams to the Editor of the Morning Post 19031201 [1 December, 1903]
VWL5108 Letter from Ralph Vaughan Williams to the Editor of the Morning Post 19060828 August 28, 1906
VWL4897 Letter from Ralph Vaughan Williams to Maud Karpeles 19530321 March 21st 1953
VWL4895 Letter from Ralph Vaughan Williams to Maud Karpeles 19530315 15.3.53
VWL4894 Letter from Ralph Vaughan Williams to Maud Karpeles 19530326 26th March, 1953.
VWL4893 Letter from Ralph Vaughan Williams to Maud Karpeles 19541225 December 25th 1954.
VWL4826 Letter from Ralph Vaughan Williams to Maud Karpeles 193308-- [August 1933]
VWL4824 Letter from Ralph Vaughan Williams to Maud Karpeles 19330220 Feb 20 [1933]
VWL4818 Letter from Ralph Vaughan Williams to Maud Karpeles 19310701 [1 July 1931]
VWL4799 Letter from Ralph Vaughan Williams to Maud Karpeles 1927---- [1927?]
VWL4789 Letter from Ralph Vaughan Williams to Maud Karpeles 19250627 [late June 1925]
VWL4788 Letter from Ralph Vaughan Williams to Maud Karpeles 19250615 [mid-June 1925]
VWL4770 Letter from Ralph Vaughan Williams to Maud Karpeles 19250131 [31 January 1925]
VWL4733 Letter from Ralph Vaughan Williams to George Chambers 19500915 Sept 15 [early 1950s]
VWL4405 Letter from Ralph Vaughan Williams to Joan Bray 19580719 July 19th 1958.
VWL4136 Letter from Ralph Vaughan Williams to Christopher le Fleming 1943---- [?1943]
VWL4019 Letter from Ralph Vaughan Williams to the Performing Right Society 19400320 March 20 [1940]
VWL3714 Letter from Margot Fonteyn to Vaughan Williams Memorial subscribers 195903-- March, 1959
VWL3623 Letter from Ralph Vaughan Williams to Maud Karpeles 193612-- Dec. 1936
VWL3622 Memo from Ralph Vaughan Williams to the EFDS Committee 193603-- March, 1936
VWL3614 Note on Cecil Sharp’s accompaniments of folk songs 1935---- [ca 1935]
VWL2355 Letter from Ralph Vaughan Williams to Gilmour Jenkins 19520116 16th January, 1952
VWL1966 Letter from Ralph Vaughan Williams to the Editor of The Times 19500104 January 4 [1950]
VWL1307 Letter from Ralph Vaughan Williams to Frank Howes 19380611 June 11 [1938]
VWL1046 Letter from Ralph Vaughan Williams to A.H. Fox-Strangways 19330220 Feb. 20 [?1933]
VWL790 Note from Cecil Sharp [to Ralph Vaughan Williams] 192405-- [Written before June 1924]
VWL598 Letter from Maud Karpeles to Ralph Vaughan Williams 19260112 12 January 1926
VWL556 Letter from Cecil Sharp to Ralph Vaughan Williams 19240522 22.V.24

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903

He was one of the most 'complete' men I have ever known. He loved life, he loved work and his interest in all music was unquenchable and insatiable.

SIR JOHN BARBIROLLI, conductor

I was thunderstruck by the symphony last night - and hadn't expected to be. Jagged, pulsating and angry, from that very first clanging dissonance - how can it have come from the same source as the Tallis Fantasia?

AUDIENCE MEMBER, Newbury Festival