Search the letters

The Vaughan Williams Foundation has made over 5000 items freely available: chiefly letters from Ralph Vaughan Williams, but including some responses which shed light on the subject matter, and also a number of letters from Adeline and Ursula Vaughan Williams. These provide further information and often include messages or observations from Ralph, and there are also letters from Adeline and Ursula written on behalf of the couple. The text of letters written by RVW and UVW remain the copyright of the Foundation.

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The letters are in tabular form and can be sorted by column, or filtered by any keyword including name, musical title, year or subject (singly or in combination). Partial matches will also be found, e.g. searching “sky” will also find “Stravinsky”. To search for a phrase use inverted commas, e.g. “New York”.

To search by letter number, include the prefix VWL, e.g. VWL123.

Filter letters

Letter No. Title Date Date on Letter
VWL1856 Letter from Adeline Vaughan Williams to Cordelia Curle 19460411 Thursday [April 11 1946]
VWL2200 Letter from Adeline Vaughan Williams to Cordelia Curle 19510301 [March 1st 1951]
VWL4625 Letter from Adeline Vaughan Williams to Cordelia Curle 19340622 Friday [22 June 1934]
VWL2126 Letter from Adeline Vaughan Williams to Cordelia Curle 19501219 Tuesday [19th December 1950]
VWL4314 Letter from Adeline Vaughan Williams to Martin Shaw 19140817 Monday [17 August, 1914]
VWL4290 Letter from Adeline Vaughan Williams to Martin Shaw 19150515 May 19 [1915]
VWL3790 Letter from Alan Bush to Adolph Borsdorf 19571231 December 31st, 1957.
VWL3709 Letter from Alan Bush to Ralph Vaughan Williams 19571231 December 31st, 1957.
VWL1234 Letter from Ralph Vaughan Williams to Adrian Boult 19330408 April 8 [1933 or earlier]
VWL3551 Letter from Ralph Vaughan Williams to Alan Bush 19571231 December 31st 1957.
VWL4148 Letter from Ralph Vaughan Williams to Alan Frank (OUP) 19500503 3rd May, 1950.
VWL4452 Letter from Ralph Vaughan Williams to Alan Frank (OUP) 19491026 26th October, 1949.
VWL4160 Letter from Ralph Vaughan Williams to Alan Frank (OUP) 19520202 2nd. February, 1952.
VWL1541 Letter from Ralph Vaughan Williams to Alice Sumsion 19410615 June 15 [1941?]
VWL4833 Letter from Ralph Vaughan Williams to Clive Carey 19150808 Aug 8th 1915
VWL1241 Letter from Ralph Vaughan Williams to Diana Awdry 19340513 [13th May 1934]
VWL1195 Letter from Ralph Vaughan Williams to Diana Awdry 19340425 [25th April 1934]
VWL1191 Letter from Ralph Vaughan Williams to Edward Elgar 19340219 Feb 19th [1934]
VWL593 Letter from Ralph Vaughan Williams to Edward J. Dent 19251107 [7th November 1925]
VWL575 Letter from Ralph Vaughan Williams to Edward J. Dent 19250113 Jan 13 [1925]
VWL737 Letter from Ralph Vaughan Williams to Edward J. Dent 192608-- [16 August 1926]
VWL586 Letter from Ralph Vaughan Williams to Edward J. Dent 192501-- [January 1925]
VWL329 Letter from Ralph Vaughan Williams to Edward J. Dent 191006-- [?Middle of 1910]
VWL444 Letter from Ralph Vaughan Williams to Edwin Evans 19180608 8/6/18
VWL2851 Letter from Ralph Vaughan Williams to Eric Walter White 19481118 18th November, 1948.
VWL1648 Letter from Ralph Vaughan Williams to Gerald Finzi 194-0620 June 20th [194-?]
VWL2127 Letter from Ralph Vaughan Williams to Gerald Finzi 19460927 [27th September 1946]
VWL2103 Letter from Ralph Vaughan Williams to Gerald Finzi 19501011 11th October, 1950.
VWL999 Letter from Ralph Vaughan Williams to Gustav Holst 19320320 March 20 [1932]
VWL3116 Letter from Ralph Vaughan Williams to Harry Stubbs 19491109 9th November, 1949

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903

He was one of the most 'complete' men I have ever known. He loved life, he loved work and his interest in all music was unquenchable and insatiable.

SIR JOHN BARBIROLLI, conductor

I was thunderstruck by the symphony last night - and hadn't expected to be. Jagged, pulsating and angry, from that very first clanging dissonance - how can it have come from the same source as the Tallis Fantasia?

AUDIENCE MEMBER, Newbury Festival