Search the letters

The Vaughan Williams Foundation has made over 5000 items freely available: chiefly letters from Ralph Vaughan Williams, but including some responses which shed light on the subject matter, and also a number of letters from Adeline and Ursula Vaughan Williams. These provide further information and often include messages or observations from Ralph, and there are also letters from Adeline and Ursula written on behalf of the couple. The text of letters written by RVW and UVW remain the copyright of the Foundation.

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The letters are in tabular form and can be sorted by column, or filtered by any keyword including name, musical title, year or subject (singly or in combination). Partial matches will also be found, e.g. searching “sky” will also find “Stravinsky”. To search for a phrase use inverted commas, e.g. “New York”.

To search by letter number, include the prefix VWL, e.g. VWL123.

Filter letters

Letter No. Title Date Date on Letter
VWL532 Letter from Ralph Vaughan Williams to Arnold Goldsbrough 193504-- Sunday [?April 1935]
VWL4311 Letter from Ralph Vaughan Williams to Phyllis Tate 19350330 30 March 1935
VWL313 Letter from Ralph Vaughan Williams to Hubert Foss 19350329 March 29 [before 1935]
VWL4608 Letter from Ralph Vaughan Williams to Joan Western 19350328 March 28 [1935]
VWL274 Letter from Ralph Vaughan Williams to Joan Western 19350326 March 26 [1935]
VWL4857 Letter from Ralph Vaughan Williams to Peter Montgomery 19350326 March 26 [1935]
VWL5132 Letter from Ralph Vaughan Williams to the Editor of The Listener 19350320 [20 March, 1935]
VWL271 Letter from Ralph Vaughan Williams to Imogen Holst 19350316 March 16 [1935]
VWL272 Letter from Ralph Vaughan Williams to Joan Western 19350316 March 16 [1935]
VWL273 Letter from Ralph Vaughan Williams to the editor of Time & Tide 19350316 16 March l935
VWL4666 Letter from Ralph Vaughan Williams to Else Headlam-Morley 19350310 March 10 [1935]
VWL250 Letter from Ralph Vaughan Williams to Joan Western 19350309 March 9 [1935]
VWL5057 Letter from Ralph Vaughan Williams and others to the Editor of Music and Letters 19350308 March 8, 1935.
VWL248 Letter from Ralph Vaughan Williams to Gerald Finzi 19350303 [3rd March 1935]
VWL249 Letter from Ralph Vaughan Williams to Imogen Holst 19350303 [3 March 1935]
VWL246 Letter from Ralph Vaughan Williams to Arnold Goldsbrough 19350301 March 1 [1935]
VWL4325 Letter from Ralph Vaughan Williams to Frederick Dwelly 193503-- [c. March 1935]
VWL531 Letter from Ralph Vaughan Williams to Evelyn Sharp 193503-- [Probably early 1935]
VWL241 Letter from Ralph Vaughan Williams to Joan Western 19350224 Feb 24 [1935]
VWL719 Letter from Ralph Vaughan Williams to Hubert Foss 19350219 June 6 [1935]
VWL240 Letter from Ralph Vaughan Williams to Joan Western 19350219 Feb 19 [1935]
VWL239 Letter from Adeline Vaughan Williams to Joy Finzi 19350214 Feb 14 [1934 or 1935]
VWL5042 Letter from Ralph Vaughan Williams to the Editor of the Times 19350211 [11 February 1935]
VWL5062 Letter from Ralph Vaughan Williams to E.J. Moeran 19350208 February 8 [1935]
VWL4626 Letter from Ralph Vaughan Williams to Eva Hubback 19350203 Feb 3 [1935]
VWL4620 Letter from Ralph Vaughan Williams to Joan Western 193502-- [February, 1935]
VWL530 Letter from Ralph Vaughan Williams to Elizabeth Maconchy 193502-- [February 1935]
VWL3914 Letter from Ralph Vaughan Williams to Vera Hockman 19350127 Jan 27th [1935]
VWL186 Letter from Ralph Vaughan Williams to Iris Lemare 19350117 Jan 17th [1935]
VWL185 Letter from Ralph Vaughan Williams to Director of ‘English Dance Players’ 19350114 January 14 [1935]

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903

He was one of the most 'complete' men I have ever known. He loved life, he loved work and his interest in all music was unquenchable and insatiable.

SIR JOHN BARBIROLLI, conductor

I was thunderstruck by the symphony last night - and hadn't expected to be. Jagged, pulsating and angry, from that very first clanging dissonance - how can it have come from the same source as the Tallis Fantasia?

AUDIENCE MEMBER, Newbury Festival