THE LETTERS OF RALPH VAUGHAN WILLIAMS

The White Gates,
Dorking.

Feb 28 [1949]

Very confidential

Dear Mr. White,

Thank you for your letter. I cannot make up my mind about Mr. Guthrie¹ – All I know about him or his work firsthand is that he once sent me a libretto which seemed to me to be very bad and I was horrified by the newspaper accounts of the new production of Carmen at Sadlers Wells – and other people tell me that he thinks too much about Guthrie and too little about the work he is producing –
On the other hand I know him to have great experience and skill and he might be able to point out a great many weak places in my opera² which I had not noticed – But from what people tell me I should feel so frightened that he would use my opera just as a peg on which to hang his own fantastic notions and if I tried to pin him down he would probably lose interest –
This is my first reaction to your suggestion – but of course I may be all wrong – Other possibilities which I have in my mind are Clive Carey or Jooss³ – I happen to know that Jooss saw the production of my “Shepherds”⁴ in Brunswick and was impressed by it.
In my present state of mind I do not think it would be a good plan to interview Guthrie before March 8th – ⁵
Yrs sincerely

R. Vaughan Williams

1. Tyrone Guthrie, theatre director.
2. The Pilgrim’s Progress (Catalogue of Works 1951/1).
3. Kurt Jooss, German choreographer who had fled Germany in 1933 and returned there in 1949.
4. The Shepherds of the Delectable Mountains (Catalogue of Works 1922/6).
5. In the end Nevill Coghill was engaged to produce The Pilgrim’s Progress.