Search the letters

The Vaughan Williams Foundation has made over 5000 items freely available: chiefly letters from Ralph Vaughan Williams, but including some responses which shed light on the subject matter, and also a number of letters from Adeline and Ursula Vaughan Williams. These provide further information and often include messages or observations from Ralph, and there are also letters from Adeline and Ursula written on behalf of the couple. The text of letters written by RVW and UVW remain the copyright of the Foundation.

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The letters are in tabular form and can be sorted by column, or filtered by any keyword including name, musical title, year or subject (singly or in combination). Partial matches will also be found, e.g. searching “sky” will also find “Stravinsky”. To search for a phrase use inverted commas, e.g. “New York”.

To search by letter number, include the prefix VWL, e.g. VWL123.

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Letter No. Title Date Date on Letter
VWL2128 Letter from Ralph Vaughan Williams to Alan Frank (OUP) 19461005 Oct 5 [1946]
VWL2127 Letter from Ralph Vaughan Williams to Gerald Finzi 19460927 [27th September 1946]
VWL2126 Letter from Adeline Vaughan Williams to Cordelia Curle 19501219 Tuesday [19th December 1950]
VWL2124 Letter from Ralph Vaughan Williams to Cecil Armstrong Gibbs 19491215 Dec 15 [1949]
VWL2121 Letter from Ralph Vaughan Williams to Roy Douglas 19501130 Nov 30 [1950]
VWL2119 Letter from Ralph Vaughan Williams to Alan Frank (OUP) 19501112 Nov 12 [1950]
VWL2117 Letter from Adeline Vaughan Williams to Cordelia Curle 19501103 Friday [3rd November 1950]
VWL2115 Letter from Ralph Vaughan Williams to Guthrie Foote (OUP) 19501030 Oct. 30 [1950]
VWL2112 Letter from Ralph Vaughan Williams to Adrian Boult (BBC) 19501018 Oct. 18 [1950]
VWL2110 Letter from Ralph Vaughan Williams to Hubert and Dora Foss 19501018 October 18th, 1950
VWL2108 Letter from Ralph Vaughan Williams to Terence Casey 19501018 18th October, 1950.
VWL2107 Letter from Ralph Vaughan Williams to Guthrie Foote (OUP) 19501014 Oct. 14 [1950]
VWL2106 Letter from Ralph Vaughan Williams to Arnold Barter 19501014 Oct 14 [1950]
VWL2102 Letter from Ralph Vaughan Williams to Gerald Finzi 19501007 [7th October 1950?]
VWL2101 Letter from Ralph Vaughan Williams to Felix Aprahamian 19501005 October 5 [1950]
VWL2100 Letter from Ralph Vaughan Williams to Gerald Finzi 19460925 [25th September 1946]
VWL2099 Letter from Ralph Vaughan Williams to Arnold Barter 19460922 Sept 22 1946
VWL2098 Letter from Ralph Vaughan Williams to Arnold Barter 19460918 Sept 18/46
VWL2097 Letter from Ralph Vaughan Williams to Gerald Finzi 19460918 [18th September 1946]
VWL2096 Letter from Ralph Vaughan Williams to George Parker 19460917 Sept 17 [1946?]
VWL2095 Letter from Ralph Vaughan Williams to Herbert Byard 19460915 [Mid September 1946]
VWL2094 Letter from Ralph Vaughan Williams to Peter Hamber 19460908 Sept 8 [1946]
VWL2093 Letter from Ralph Vaughan Williams to Herbert Howells 19460901 Sept 1 [1946]
VWL2092 Letter from Ralph Vaughan Williams to Herbert Byard 19460901 Sept 1 [1946]
VWL2091 Letter from Ralph Vaughan Williams to Michael Kennedy 19460829 Aug 29 [1946]
VWL2088 Letter from Ralph Vaughan Williams to Frederick Page 19501003 Oct 3rd [1950]
VWL2082 Letter from Ralph Vaughan Williams to Guthrie Foote (OUP) 19500908 [About 8th September 1950]
VWL2077 Letter from Ralph Vaughan Williams to Alan Frank 19500820 Aug 20th 1950
VWL2075 Letter from Ralph Vaughan Williams to Guthrie Foote (OUP) 19500814 August 14 [1950]
VWL2068 Letter from Ralph Vaughan Williams to Alan Frank 19500719 19th July 1950.

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903

He was one of the most 'complete' men I have ever known. He loved life, he loved work and his interest in all music was unquenchable and insatiable.

SIR JOHN BARBIROLLI, conductor

I was thunderstruck by the symphony last night - and hadn't expected to be. Jagged, pulsating and angry, from that very first clanging dissonance - how can it have come from the same source as the Tallis Fantasia?

AUDIENCE MEMBER, Newbury Festival