Search the letters

The Vaughan Williams Foundation has made over 5000 items freely available: chiefly letters from Ralph Vaughan Williams, but including some responses which shed light on the subject matter, and also a number of letters from Adeline and Ursula Vaughan Williams. These provide further information and often include messages or observations from Ralph, and there are also letters from Adeline and Ursula written on behalf of the couple. The text of letters written by RVW and UVW remain the copyright of the Foundation.

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The letters are in tabular form and can be sorted by column, or filtered by any keyword including name, musical title, year or subject (singly or in combination). Partial matches will also be found, e.g. searching “sky” will also find “Stravinsky”. To search for a phrase use inverted commas, e.g. “New York”.

To search by letter number, include the prefix VWL, e.g. VWL123.

Filter letters

Letter No. Title Date Date on Letter
VWL2379 Letter from Ernest Irving to Ralph Vaughan Williams 19520314 March 14th., 1952
VWL2378 Letter from Ernest Irving to Ralph Vaughan Williams 19520313 March 13th., 1952
VWL2375 Letter from Ernest Irving to Ralph Vaughan Williams 19520307 7th March, 1952
VWL2374 Letter from Ralph Vaughan Williams to Anthony Scott 19520305 5th March, 1952.
VWL2373 Letter from Ralph Vaughan Williams to Hubert Foss 19520305 5th March, 1952
VWL2371 Letter from Ralph Vaughan Williams to James McKay Martin 19520227 27th February 1952
VWL2370 Letter from Ralph Vaughan Williams to Roy Douglas 19520220 20th February, 1952
VWL2369 Letter from Ralph Vaughan Williams to Jean Treves 19520220 20th February 1952
VWL2366 Letter from Ralph Vaughan Williams to Roy Douglas 19520207 [7 February 1952] Thursday
VWL2365 Letter from Ralph Vaughan Williams to the Editor of The Times 19520204 [4th February 1952]
VWL2364 Letter from Ralph Vaughan Williams to Roy Douglas 19520202 2nd. February, 1952
VWL2363 Letter from Ralph Vaughan Williams to Dora Foss 19520202 2nd February, 1952
VWL2361 Letter from Ralph Vaughan Williams to Hubert Foss 19520202 2nd February, 1952
VWL2359 Letter from Ralph Vaughan Williams to Roy Douglas 19520127 Jan 27 [1952?]
VWL2356 Letter from Ralph Vaughan Williams to Arthur Benjamin 19520116 16th January, 1952
VWL2355 Letter from Ralph Vaughan Williams to Gilmour Jenkins 19520116 16th January, 1952
VWL2354 Letter from Ralph Vaughan Williams to Arthur Benjamin 19520109 9th January, 1952.
VWL2353 Letter from Ralph Vaughan Williams to Ralph Wedgwood 19520109 Jan 9th [1952]
VWL2352 Letter from Ralph Vaughan Williams to Herbert Bardgett 195202-- [?February 1952]
VWL2351 Letter from Ralph Vaughan Williams to Katharine Thomson 19520109 9th January, 1952.
VWL2350 Letter from Ralph Vaughan Williams to Elizabeth Trevelyan 19520109 9th January 1952
VWL2349 Letter from Ralph Vaughan Williams to Gerald Finzi 19520109 9th January, 1952.
VWL2347 Letter from Ralph Vaughan Williams to Gilmour Jenkins 195112-- [?1951]
VWL2346 Letter from Ralph Vaughan Williams to Roy Douglas 195111-- [probably November 1951]
VWL2343 Letter from Ralph Vaughan Williams to Arnold and Jo Goldsborough 195105-- [May 1951]
VWL2340 Letter from Ursula Wood to Ralph Vaughan Williams 195104-- [mid April 1951]
VWL2339 Letter from Adeline Vaughan Williams to Cordelia Curle 195103-- Sat [March 1951]
VWL2336 Letter from Ralph Vaughan Williams to Hubert Foss 19520102 January 2 [1952]
VWL2335 Letter from Ralph Vaughan Williams to Roy Douglas 19511227 27th December 1951
VWL2334 Letter from Ralph Vaughan Williams to Dorothy Wallis 19511225 Xmas day [1951]

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903

He was one of the most 'complete' men I have ever known. He loved life, he loved work and his interest in all music was unquenchable and insatiable.

SIR JOHN BARBIROLLI, conductor

I was thunderstruck by the symphony last night - and hadn't expected to be. Jagged, pulsating and angry, from that very first clanging dissonance - how can it have come from the same source as the Tallis Fantasia?

AUDIENCE MEMBER, Newbury Festival