Search the letters

The Vaughan Williams Foundation has made over 5000 items freely available: chiefly letters from Ralph Vaughan Williams, but including some responses which shed light on the subject matter, and also a number of letters from Adeline and Ursula Vaughan Williams. These provide further information and often include messages or observations from Ralph, and there are also letters from Adeline and Ursula written on behalf of the couple. The text of letters written by RVW and UVW remain the copyright of the Foundation.

Searching:
The letters are in tabular form and can be sorted by column, or filtered by any keyword including name, musical title, year or subject (singly or in combination). Partial matches will also be found, e.g. searching “sky” will also find “Stravinsky”. To search for a phrase use inverted commas, e.g. “New York”.

To search by letter number, include the prefix VWL, e.g. VWL123.

Filter letters

Letter No. Title Date Date on Letter
VWL4742 Letter from Ralph Vaughan Williams to Gerald Cockshott 1940---- [1940s?]
VWL4741 Letter from Ralph Vaughan Williams to Gerald Cockshott 19451004 Oct 4 [1945]
VWL4740 Letter from Ralph Vaughan Williams to Gerald Cockshott 1939---- [1939]
VWL4739 Letter from Ralph Vaughan Williams to Gerald Cockshott 19391206 Dec 6th [1939]
VWL4738 Letter from Ralph Vaughan Williams to George Chambers 19570402 April 2nd 1957.
VWL4737 Letter from Ralph Vaughan Williams to George Chambers 19560725 July 25th 1956.
VWL4736 Letter from Ralph Vaughan Williams to George Chambers 19560119 January 19th 1956.
VWL4735 Letter from Ralph Vaughan Williams to George Chambers 19550528 May 28th 1955.
VWL4734 Letter from Ralph Vaughan Williams to George Chambers 19520730 30th July, 1952.
VWL4733 Letter from Ralph Vaughan Williams to George Chambers 19500915 Sept 15 [early 1950s]
VWL4732 Letter from Ralph Vaughan Williams to George Chambers 1950---- [early 1950s]
VWL4731 Letter from Ralph Vaughan Williams to Arthur Dickinson 19521015 Oct 15 [1952]
VWL4730 Letter from Ralph Vaughan Williams to Arthur Dickinson 19511016 Oct 16 [1951]
VWL4729 Letter from Ralph Vaughan Williams to Arthur Dickinson 19501015 Oct 15 [1950]
VWL4728 Letter from Ralph Vaughan Williams to Arthur Dickinson 19491013 13th October, 1949.
VWL4727 Letter from Ralph Vaughan Williams to K.J. Burrell 19580328 March 28th 1958.
VWL4726 Letter from Ralph Vaughan Williams to Alan Kirby 19471022 22nd October, 1947.
VWL4725 Letter from Ralph Vaughan Williams to Keith Douglas 1937---- [March 1937?]
VWL4724 Letter from Ralph Vaughan Williams to Miss Wadham 193703-- Tuesday [March 1937]
VWL4723 Letter from Ralph Vaughan Williams to Keith Douglas 1937---- [Spring 1937]
VWL4722 Letter from Ralph Vaughan Williams to Miss Wadham 19361102 Monday [2 November 1936]
VWL4721 Letter from Ralph Vaughan Williams to Miss Wadham 19361101 November 1 [1936]
VWL4720 Letter from Ralph Vaughan Williams to Keith Douglas 19360823 August 23 [1936]
VWL4719 Letter from Ralph Vaughan Williams to Percy Pitt 1920---- [1920s?]
VWL4718 Letter from Ralph Vaughan Williams to Percy Pitt 1915---- [c.1915-1916]
VWL4717 Letter from Ralph Vaughan Williams to Malcolm Sargent 19480930 30th September, 1948.
VWL4716 Letter from Ralph Vaughan Williams to Margaret Field-Hyde 1955---- [about 1955]
VWL4715 Letter from Ralph Vaughan Williams to Margaret Field-Hyde 19570407 April 7th 1957.
VWL4714 Letter from Ralph Vaughan Williams to Margaret Field-Hyde 194810-- [October 1948]
VWL4713 Letter from Ralph Vaughan Williams to Margaret Field-Hyde 195-0502 May 2nd [1950]

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903

He was one of the most 'complete' men I have ever known. He loved life, he loved work and his interest in all music was unquenchable and insatiable.

SIR JOHN BARBIROLLI, conductor

I was thunderstruck by the symphony last night - and hadn't expected to be. Jagged, pulsating and angry, from that very first clanging dissonance - how can it have come from the same source as the Tallis Fantasia?

AUDIENCE MEMBER, Newbury Festival