Search the letters

The Vaughan Williams Foundation has made over 5000 items freely available: chiefly letters from Ralph Vaughan Williams, but including some responses which shed light on the subject matter, and also a number of letters from Adeline and Ursula Vaughan Williams. These provide further information and often include messages or observations from Ralph, and there are also letters from Adeline and Ursula written on behalf of the couple. The text of letters written by RVW and UVW remain the copyright of the Foundation.

Searching:
The letters are in tabular form and can be sorted by column, or filtered by any keyword including name, musical title, year or subject (singly or in combination). Partial matches will also be found, e.g. searching “sky” will also find “Stravinsky”. To search for a phrase use inverted commas, e.g. “New York”.

To search by letter number, include the prefix VWL, e.g. VWL123.

Filter letters

Letter No. Title Date Date on Letter
VWL315 Letter from Adeline Vaughan Williams to Cordelia Curle 19350408 Monday night [8th April 1935]
VWL316 Letter from Ralph Vaughan Williams to Harriet Cohen 19350409 April 9th [1935]
VWL317 Letter from Ralph Vaughan Williams to Edward J. Dent 191002-- [February 1910]
VWL318 Letter from Ralph Vaughan Williams to Ruth Charrington 191002-- [February 1910]
VWL319 Letter from Ralph Vaughan Williams to Ruth Charrington 191002-- [February 1910]
VWL320 Letter from Ralph Vaughan Williams to Ruth Charrington 191003-- [March 1910]
VWL321 Letter from Ralph Vaughan Williams to Edward J. Dent 191003-- [After 7th March 1910]
VWL322 Letter from Ralph Vaughan Williams to Edward J. Dent 191003-- [Towards end of March 1910]
VWL323 Letter from Ralph Vaughan Williams to Ruth Charrington 191003-- [March 1910]
VWL324 Letter from Ralph Vaughan Williams to Ruth Charrington 191003-- [March 1910]
VWL325 Letter from Ralph Vaughan Williams to Ruth Charrington 191003-- [March 1910]
VWL326 Letter from Ralph Vaughan Williams to Edward J. Dent 191004-- [April 1910]
VWL327 Letter from Ralph Vaughan Williams to Edward J. Dent 191004-- [April 1910]
VWL328 Letter from Ralph Vaughan Williams to Edward J. Dent 191004-- [April 1910]
VWL329 Letter from Ralph Vaughan Williams to Edward J. Dent 191006-- [?Middle of 1910]
VWL330 Letter from Ralph Vaughan Williams to Edward J. Dent 1910---- [mid 1910?]
VWL331 Letter from Ralph Vaughan Williams to Herbert Thompson 191009-- [About September 1910]
VWL332 Letter from Ralph Vaughan Williams to Herbert Thompson 191009-- [About September 1910]
VWL333 Letter from Ralph Vaughan Williams to Edward J. Dent 191101-- [Early 1911]
VWL334 Letter from Ralph Vaughan Williams to Edward J. Dent 191104-- [April 1911]
VWL335 Letter from Ralph Vaughan Williams to Cecil Sharp 191107-- [July 1911]
VWL336 Letter from Ralph Vaughan Williams to Gilbert Murray 191110-- [early October 1911]
VWL337 Letter from Ralph Vaughan Williams to Edward J. Dent 191203-- [March 1912]
VWL338 Letter from Ralph Vaughan Williams to Cecil Sharp 191307-- [July 1913]
VWL339 Letter from Ralph Vaughan Williams to Arnold Barter 191311-- [late November 1913]
VWL340 Letter from Ralph Vaughan Williams to Gilbert Murray 19111012 Oct 12th [1911]
VWL341 Letter from Ralph Vaughan Williams to Michael Calvocoressi 19130609 June 9th [1913]
VWL342 Letter from Ralph Vaughan Williams to Arnold Barter 19131219 Dec 19th 1913
VWL343 Letter from Ralph Vaughan Williams to Arnold Barter 19131230 [About 30th] Dec. 1913
VWL344 Letter from Steuart Wilson to Ralph Vaughan Williams 19421109 9 Nov. 1942

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903

He was one of the most 'complete' men I have ever known. He loved life, he loved work and his interest in all music was unquenchable and insatiable.

SIR JOHN BARBIROLLI, conductor

I was thunderstruck by the symphony last night - and hadn't expected to be. Jagged, pulsating and angry, from that very first clanging dissonance - how can it have come from the same source as the Tallis Fantasia?

AUDIENCE MEMBER, Newbury Festival