Search the letters

The Vaughan Williams Foundation has made over 5000 items freely available: chiefly letters from Ralph Vaughan Williams, but including some responses which shed light on the subject matter, and also a number of letters from Adeline and Ursula Vaughan Williams. These provide further information and often include messages or observations from Ralph, and there are also letters from Adeline and Ursula written on behalf of the couple. The text of letters written by RVW and UVW remain the copyright of the Foundation.

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The letters are in tabular form and can be sorted by column, or filtered by any keyword including name, musical title, year or subject (singly or in combination). Partial matches will also be found, e.g. searching “sky” will also find “Stravinsky”. To search for a phrase use inverted commas, e.g. “New York”.

To search by letter number, include the prefix VWL, e.g. VWL123.

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Letter No. Title Date Date on Letter
VWL1905 Letter from Ralph Vaughan Williams to Gwen Beckett (BBC) 19440312 March 12 [1944]
VWL1906 Letter from Ralph Vaughan Williams to Julian Herbage (BBC) 19440319 March 19 [1944]
VWL1907 Letter from Ralph Vaughan Williams to Adrian Boult (BBC) 19440326 March 26 [1944]
VWL1921 Letter from Ralph Vaughan Williams to Arnold Barter 19440706 July 6 [?1944]
VWL1929 Letter from Ralph Vaughan Williams to Alan Smith 19440819 August 19 [1944]
VWL1930 Letter from Adeline Vaughan Williams to Ann Boult 19440826 August 26 [1944]
VWL1936 Letter from Ralph Vaughan Williams to the Editor of ‘Music & Letters’ 19441001 October 1st 1944
VWL1949 Letter from Ralph Vaughan Williams to Norman Peterkin 19441203 Dec 3 [1944]
VWL2028 Letter from Ralph Vaughan Williams to Alan Frank (OUP) 19460314 [About 14th March 1946]
VWL2042 Letter from Jean Sibelius to Ralph Vaughan Williams 19460618 June 18, 1946
VWL2056 Letter from Ralph Vaughan Williams to Alan Frank (OUP) 19460803 Aug 3. [1946]
VWL2165 Letter from Arnold Barter to Ralph Vaughan Williams 19470408 8.iv.47
VWL2194 Letter from Ralph Vaughan Williams to Gerald Finzi 19470619 19th June, 1947.
VWL2211 Letter from Ralph Vaughan Williams to Alec Robertson (BBC) 19510329 29th March, 1951.
VWL2272 Letter from Ralph Vaughan Williams to Roy Douglas 19510910 Sept 10 [1951]
VWL2277 Letter from Ralph Vaughan Williams to John Barbirolli 19511006 Oct 6 1951
VWL2283 Letter from Ralph Vaughan Williams to John Barbirolli 19511017 17th October, 1951.
VWL2289 Letter from Ralph Vaughan Williams to Roy Douglas 19511024 24th October, 1951
VWL2292 Letter from Ralph Vaughan Williams to John Barbirolli 19511101 1st. November, 1951.
VWL2312 Letter from Ralph Vaughan Williams to Gerald Finzi 19470807 7th August, 1947
VWL2346 Letter from Ralph Vaughan Williams to Roy Douglas 195111-- [probably November 1951]
VWL2497 Letter from Ernest Irving to Ralph Vaughan Williams 19471216 16th December, 1947.
VWL2501 Letter from Robert Müller-Hartmann to Ralph Vaughan Williams 19471216 16th December 1947
VWL2637 Letter from Neville Cardus to Ralph Vaughan Williams 19530202 February 2nd 1953
VWL2765 Letter from Ralph Vaughan Williams to Alan Frank (OUP) 19480603 3rd June, 1948.
VWL3005 Letter from Percy Grainger to Ralph Vaughan Williams 19490529 May 29, 1949
VWL3299 Letter from Ralph Vaughan Williams to Christopher Morris (OUP) 19580522 May 22nd 1958
VWL3375 Letter from Ralph Vaughan Williams to Alan Frank (OUP) 19580215 February 15th 1958.
VWL3621 Letter from Ralph Vaughan Williams to Edmund Rubbra 19470807 7th August, 1947.
VWL3764 Letter from Alan Bush to Ralph Vaughan Williams 19551005 November 5th, 1955.

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903

He was one of the most 'complete' men I have ever known. He loved life, he loved work and his interest in all music was unquenchable and insatiable.

SIR JOHN BARBIROLLI, conductor

I was thunderstruck by the symphony last night - and hadn't expected to be. Jagged, pulsating and angry, from that very first clanging dissonance - how can it have come from the same source as the Tallis Fantasia?

AUDIENCE MEMBER, Newbury Festival