Search the letters

The Vaughan Williams Foundation has made over 5000 items freely available: chiefly letters from Ralph Vaughan Williams, but including some responses which shed light on the subject matter, and also a number of letters from Adeline and Ursula Vaughan Williams. These provide further information and often include messages or observations from Ralph, and there are also letters from Adeline and Ursula written on behalf of the couple. The text of letters written by RVW and UVW remain the copyright of the Foundation.

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The letters are in tabular form and can be sorted by column, or filtered by any keyword including name, musical title, year or subject (singly or in combination). Partial matches will also be found, e.g. searching “sky” will also find “Stravinsky”. To search for a phrase use inverted commas, e.g. “New York”.

To search by letter number, include the prefix VWL, e.g. VWL123.

Filter letters

Letter No. Title Date Date on Letter
VWL4185 Letter from Ralph Vaughan Williams to Ivor Atkins 193206-- [June 1932?]
VWL4186 Letter from Ralph Vaughan Williams to Ivor Atkins 193206-- [June 1932]
VWL2109 Letter from Ralph Vaughan Williams to J. L. Boston 19501018 18th October, 1950
VWL596 Letter from Ralph Vaughan Williams to J.F.R. Stainer 19251203 [3 December, 1925]
VWL573 Letter from Ralph Vaughan Williams to J.F.R. Stainer 19241211 11/12/24
VWL2599 Letter from Ralph Vaughan Williams to J.L. Boston 19480519 19th May, 1948
VWL3054 Letter from Ralph Vaughan Williams to J.M. Martin 19491228 28th December, 1949
VWL2981 Letter from Ralph Vaughan Williams to J.M. Martin 19490406 6th April, 1949
VWL5171 Letter from Ralph Vaughan Williams to J.N. Barran 18940218 Feb 18 1894
VWL849 Letter from Ralph Vaughan Williams to Jack Gordon 19300316 March 16 [1930]
VWL850 Letter from Ralph Vaughan Williams to Jack Gordon 193004-- [April 1930]
VWL1009 Letter from Ralph Vaughan Williams to Jack Gordon 19320916 September 16 [1932]
VWL1124 Letter from Ralph Vaughan Williams to Jack Gordon 19331207 Dec 7 [1933]
VWL2650 Letter from Ralph Vaughan Williams to Jack Gordon 19530214 February 14th 1953.
VWL591 Letter from Ralph Vaughan Williams to Jack Gordon 193704-- [late April 1937]
VWL2225 Letter from Ralph Vaughan Williams to Jack Gordon 19510504 4 May 1951
VWL1014 Letter from Ralph Vaughan Williams to Jack Gordon 19320922 [22 September, 1932]
VWL1129 Letter from Ralph Vaughan Williams to Jack Gordon 19331226 Dec 26 [1933 ]
VWL590 Letter from Ralph Vaughan Williams to Jack Gordon 193704-- [April 1937]
VWL1171 Letter from Ralph Vaughan Williams to Jack Gordon 19370411 April 11 [1937]
VWL1167 Letter from Ralph Vaughan Williams to Jack Gordon 19370413 April 13 [1937]
VWL3579 Letter from Ralph Vaughan Williams to Jack Gordon and Scott Goddard 19571013 [October 13 1957]
VWL5005 Letter from Ralph Vaughan Williams to James Craufurd (Madrigal Society) 19511017 17th October, 1951
VWL5006 Letter from Ralph Vaughan Williams to James Craufurd (Madrigal Society) 19540909 Sept. 9 [1954]
VWL1202 Letter from Ralph Vaughan Williams to James Craufurd (Madrigal Society) 19501206 6th December, 1950
VWL3231 Letter from Ralph Vaughan Williams to James McKay Martin 19551217 December 17th 1955.
VWL3572 Letter from Ralph Vaughan Williams to James McKay Martin 19571005 October 5th 1957.
VWL2084 Letter from Ralph Vaughan Williams to James McKay Martin 19500914 September 14th, 1950
VWL2371 Letter from Ralph Vaughan Williams to James McKay Martin 19520227 27th February 1952
VWL2453 Letter from Ralph Vaughan Williams to James McKay Martin 19520727 July 27th 1952

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903

He was one of the most 'complete' men I have ever known. He loved life, he loved work and his interest in all music was unquenchable and insatiable.

SIR JOHN BARBIROLLI, conductor

I was thunderstruck by the symphony last night - and hadn't expected to be. Jagged, pulsating and angry, from that very first clanging dissonance - how can it have come from the same source as the Tallis Fantasia?

AUDIENCE MEMBER, Newbury Festival