Search the letters

The Vaughan Williams Foundation has made over 5000 items freely available: chiefly letters from Ralph Vaughan Williams, but including some responses which shed light on the subject matter, and also a number of letters from Adeline and Ursula Vaughan Williams. These provide further information and often include messages or observations from Ralph, and there are also letters from Adeline and Ursula written on behalf of the couple. The text of letters written by RVW and UVW remain the copyright of the Foundation.

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The letters are in tabular form and can be sorted by column, or filtered by any keyword including name, musical title, year or subject (singly or in combination). Partial matches will also be found, e.g. searching “sky” will also find “Stravinsky”. To search for a phrase use inverted commas, e.g. “New York”.

To search by letter number, include the prefix VWL, e.g. VWL123.

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Letter No. Title Date Date on Letter
VWL2362 Letter from Ralph Vaughan Williams to Arnold Barter 19520202 2nd February, 1952.
VWL2363 Letter from Ralph Vaughan Williams to Dora Foss 19520202 2nd February, 1952
VWL2364 Letter from Ralph Vaughan Williams to Roy Douglas 19520202 2nd. February, 1952
VWL2365 Letter from Ralph Vaughan Williams to the Editor of The Times 19520204 [4th February 1952]
VWL2366 Letter from Ralph Vaughan Williams to Roy Douglas 19520207 [7 February 1952] Thursday
VWL2367 Letter from Ralph Vaughan Williams to Alan Frank (OUP) 19520219 Feb 19 [1952]
VWL2368 Letter from Ralph Vaughan Williams to Alan Frank (OUP) 19520220 20th February, 1952
VWL2369 Letter from Ralph Vaughan Williams to Jean Treves 19520220 20th February 1952
VWL2370 Letter from Ralph Vaughan Williams to Roy Douglas 19520220 20th February, 1952
VWL2371 Letter from Ralph Vaughan Williams to James McKay Martin 19520227 27th February 1952
VWL2372 Letter from Ralph Vaughan Williams to Alan Frank (OUP) 19520227 27th February, 1952
VWL2373 Letter from Ralph Vaughan Williams to Hubert Foss 19520305 5th March, 1952
VWL2374 Letter from Ralph Vaughan Williams to Anthony Scott 19520305 5th March, 1952.
VWL2376 Letter from Ralph Vaughan Williams to Gerald Finzi 19520312 12th March, 1952.
VWL2377 Letter from Ralph Vaughan Williams to John Barbirolli 19520312 12th March, 1952.
VWL2380 Letter from Ralph Vaughan Williams to Arthur Benjamin 19520316 March 16th 1952
VWL2381 Letter from Ralph Vaughan Williams to Elizabeth Maconchy 19520316 March 16th 1952.
VWL2383 Letter from Ralph Vaughan Williams to Hubert Foss 19520317 March 17 [1952]
VWL2384 Letter from Ralph Vaughan Williams to James McKay Martin 19520320 March 20th [1952?]
VWL2385 Letter from Ralph Vaughan Williams to John Barbirolli 19520325 25th March, 1952.
VWL2386 Letter from Ralph Vaughan Williams to Arnold Goldsbrough 19520403 3rd. April, 1952
VWL2387 Letter from Ralph Vaughan Williams to Adrian Boult 19520403 3rd. April, 1952.
VWL2388 Letter from Ralph Vaughan Williams to Guthrie Foote (OUP) 19520403 3rd April 1952
VWL2389 Letter from Ralph Vaughan Williams to Michael Kennedy 19520403 April 3 [1952]
VWL2390 Letter from Ralph Vaughan Williams to Harry Stubbs 19520409 9th April, 1952
VWL2391 Letter from Ralph Vaughan Williams to Frank Howes 19520409 9th April, 1952
VWL2392 Letter from Ralph Vaughan Williams to Guthrie Foote (OUP) 19520409 9th April, 1952.
VWL2393 Letter from Ralph Vaughan Williams to Roy Douglas 19520409 9th April, 1952.
VWL2394 Letter from Ralph Vaughan Williams to Guthrie Foote (OUP) 19520410 April 10 [1952]
VWL2395 Letter from Ralph Vaughan Williams to Gerald Finzi 19520416 16th April, 1952.

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903

He was one of the most 'complete' men I have ever known. He loved life, he loved work and his interest in all music was unquenchable and insatiable.

SIR JOHN BARBIROLLI, conductor

I was thunderstruck by the symphony last night - and hadn't expected to be. Jagged, pulsating and angry, from that very first clanging dissonance - how can it have come from the same source as the Tallis Fantasia?

AUDIENCE MEMBER, Newbury Festival