RVW’s Letters

ABOUT THE LETTERS

Ralph Vaughan Williams’s correspondence - with his friends, family, pupils and fellow musicians - paints an intriguing portrait of the man, as well as providing fascinating insights into his major preoccupations: musical, personal and political.

The VWF database includes transcripts of over 5,000 items of annotated correspondence, fully indexed and searchable, which can all be read online. It includes all the letters of Ralph Vaughan Williams known to the editors and is an ongoing project. Find out more about the database.

The text of letters written by Ralph Vaughan Williams remains in the copyright of the Vaughan Williams Foundation and may not be further reproduced without the prior written consent of the Foundation.

Featured Letter

from Vaughan Williams, Ralph, 1872-1958 to Peterkin, Norman, 1886-1982

Letter No. VWL1949

Letter from Ralph Vaughan Williams to Norman Peterkin

Letter No.: VWL1949


The White Gates

Dec 3 [1944]

Dear Peterkin

Could you kindly send me my original score of my Symphony in D which I think you have? I have to conduct at Guildford on Saturday and that is the score I prefer to use.1
I have heard from Goossens who says the Concerto was a great success – but there are one or two passages that are difficult even for him – but he does not suggest alternatives nor has he sent either you or me the oboe part.2
These alternatives must be put into the oboe part before a copy is made – but there is no reason why the string parts should not be duplicated. Goossens tells me that he wanted to play the work several times in Wales but the parts were not available. I daresay there is some good explanation of th[is].3
I feel that you as “Controller” of the work ought to come to a definite understanding with Goossens as to how many  performances he is to be allowed before the work is released for other players.
Yours sincerely

R. Vaughan Williams


1. This score is now MS 4231 in the Royal College of Music. VW conducted the Guildford Symphony Orchestra in the County Technical College Hall on 9 December.
2. VW’s Concerto in A minor for oboe and strings, Catalogue of Works 1944/1, had received its first performance played by Leon Goossens in Liverpool on 30th September.
3. A note dated 4th December 1944 in the OUP file explains that the orchestral material had been with Thomas Armstrong in Oxford on 24th November when Boyd Neel’s secretary had asked for it (for a performance in Wales the following week) and had been told it was not available. Armstrong was preparing a performance by Goossens to be given in Oxford on 8th March 1945.

A teacher's advice is not meant to be taken like a Pill but thought about & then: 1) adopted, or (2) rejected, or (perhaps best of all) (3) a 3rd course suggests itself from thinking the matter over.

RVW letter to GRACE WILLIAMS 1920

New York on the 26th, lecture at Yale on the 1st. Sail on the 4th. Ralph is terrifically well and bouncy and THRIVES on milkshakes and butterscotch sundaes.

UVW letter from New York to Michael and Eslyn Kennedy 1954

Most of Stravinsky bores me. I wish he even shocked me: especially the Rite of Spring...but I do like Symphony of Psalms, Les Noces, and the Suite for Violin and Pianoforte, of which I once heard a record under very peculiar circumstances, of which I will tell you one day.

RVW letter to MICHAEL KENNEDY 1957

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903