RVW’s Letters

ABOUT THE LETTERS

Ralph Vaughan Williams’s correspondence - with his friends, family, pupils and fellow musicians - paints an intriguing portrait of the man, as well as providing fascinating insights into his major preoccupations: musical, personal and political.

The VWF database includes transcripts of over 5,000 items of annotated correspondence, fully indexed and searchable, which can all be read online. It includes all the letters of Ralph Vaughan Williams known to the editors and is an ongoing project. Find out more about the database.

The text of letters written by Ralph Vaughan Williams remains in the copyright of the Vaughan Williams Foundation and may not be further reproduced without the prior written consent of the Foundation.

Featured Letter

from Vaughan Williams, Ralph, 1872-1958 to Warrack, John, b.1928

Letter No. VWL2808

Letter from Ralph Vaughan Williams to John Warrack (OUP)

Letter No.: VWL2808


From R. Vaughan Williams,
10, Hanover Terrace,
Regents Park,
London, N.W.1.

March 28th 1954.

Dear Mr. Warrack,

Herewith the proofs.1 There are still a few mistakes which I have noted on a slip fastened to the copy. Could you kindly check those yourself, as it will save a lot of time?
Yours sincerely,

R. Vaughan Williams

P.S. I am sorry for the delay in the orchestration of Sun, Moon and Stars,2 I did it all and showed it to Bernard Shore, who said it was all much too difficult, and I had to re-do it. He has now revised it all, and added slurs and bowing marks. Will you ask Alan Frank, in confidence, whether he thinks he ought to have a fee for this? If so, my name must not come into it, and it must be nominally from the firm, though of course I would refund, or have it taken off my royalties in the usual way.  By the way, the arrangement is for pianoforte and strings NOT strings without pianoforte. I am sending it under separate cover.

RVW


1. Of This Day (Hodie) (Catalogue of Works1954/3).
2. Sun, Moon, Stars and Man (Catalogue of Works 1950/3a) is a cycle of four songs based on sections of the cantata Sons of Light (Catalogue of Works 1950/3). In fact the first performance was accompanied by the Birmingham Symphony Orchestra and so the orchestration should not have presented any difficulty – but the work was intended for school use.

A teacher's advice is not meant to be taken like a Pill but thought about & then: 1) adopted, or (2) rejected, or (perhaps best of all) (3) a 3rd course suggests itself from thinking the matter over.

RVW letter to GRACE WILLIAMS 1920

New York on the 26th, lecture at Yale on the 1st. Sail on the 4th. Ralph is terrifically well and bouncy and THRIVES on milkshakes and butterscotch sundaes.

UVW letter from New York to Michael and Eslyn Kennedy 1954

Most of Stravinsky bores me. I wish he even shocked me: especially the Rite of Spring...but I do like Symphony of Psalms, Les Noces, and the Suite for Violin and Pianoforte, of which I once heard a record under very peculiar circumstances, of which I will tell you one day.

RVW letter to MICHAEL KENNEDY 1957

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903