RVW’s Letters

ABOUT THE LETTERS

Ralph Vaughan Williams’s correspondence - with his friends, family, pupils and fellow musicians - paints an intriguing portrait of the man, as well as providing fascinating insights into his major preoccupations: musical, personal and political.

The VWF database includes transcripts of over 5,000 items of annotated correspondence, fully indexed and searchable, which can all be read online. It includes all the letters of Ralph Vaughan Williams known to the editors and is an ongoing project. Find out more about the database.

The text of letters written by Ralph Vaughan Williams remains in the copyright of the Vaughan Williams Foundation and may not be further reproduced without the prior written consent of the Foundation.

Featured Letter

from Vaughan Williams, Ralph, 1872-1958 to Awdry, Diana

Letter No. VWL666

Letter from Ralph Vaughan Williams to Diana Awdry

Letter No.: VWL666


13 Cheyne Walk
S.W.3

[July/August 1929]

My Dear Diana

Shall you be in Worcester on Friday 11th – I come down then for the combined rehearsal so look out for me if you are not otherwise too busy.
As regards comp.1  music – ours is still in the melting pot – so you can’t take it.
The Holst Psalms we have never tackled – I’ve always thought them too hard – but perhaps they are not – anyway choirs love them. I don’t care very much for Wood’s Veterans2 & I imagine it is hard.
Otherwise your scheme seems good. We’ve turned out [the] Basso song and put in Gibbs “Fol-dol-do” instead & Love on my heart Holst for women instead of the Scarlatti also “Sleep wayward”3 was pronounced dull – but it is v. easy.
I suppose you have done the following
Madrigals

Come shepherds (Benet)
Sing we and chant it (Morley)
Fair Phyllis (Farmer)
Camilla fair (5 pts) Bateson
Weep O mine eyes (Benet)4
Thyrsis sleepest thou (? – pub. Novello)5

Partsongs

Cradle song  Ireland
O breathe not his name Stanford
Since thou O fondest Parry
Evening scene (diff[icult]) Elgar

Have you done “Agincourt song” arr for mens voices by Warrell (O.U.P.)6  it is splendid.
Yrs

R. Vaughan Williams

Ask again if you want to know anything else.


1. i.e. competition
2. Dirge for Two Veterans, first performed at the Leeds Festival of 1901.
3. ‘Sleep wayward thoughts and rest you with my love’ by Dowland.
4. i.e. John Bennet, fl.1599-1614.
5. In fact also by Bennet. Both works are from his Madrigalls to foure voices, 1599.
6. Arthur Sydney Warrell. The arrangement had just been published by Oxford University Press as no. 611 in the series Oxford Choral Songs.

A teacher's advice is not meant to be taken like a Pill but thought about & then: 1) adopted, or (2) rejected, or (perhaps best of all) (3) a 3rd course suggests itself from thinking the matter over.

RVW letter to GRACE WILLIAMS 1920

New York on the 26th, lecture at Yale on the 1st. Sail on the 4th. Ralph is terrifically well and bouncy and THRIVES on milkshakes and butterscotch sundaes.

UVW letter from New York to Michael and Eslyn Kennedy 1954

Most of Stravinsky bores me. I wish he even shocked me: especially the Rite of Spring...but I do like Symphony of Psalms, Les Noces, and the Suite for Violin and Pianoforte, of which I once heard a record under very peculiar circumstances, of which I will tell you one day.

RVW letter to MICHAEL KENNEDY 1957

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903