RVW’s Letters

ABOUT THE LETTERS

Ralph Vaughan Williams’s correspondence - with his friends, family, pupils and fellow musicians - paints an intriguing portrait of the man, as well as providing fascinating insights into his major preoccupations: musical, personal and political.

The VWF database includes transcripts of over 5,000 items of annotated correspondence, fully indexed and searchable, which can all be read online. It includes all the letters of Ralph Vaughan Williams known to the editors and is an ongoing project. Find out more about the database.

The text of letters written by Ralph Vaughan Williams remains in the copyright of the Vaughan Williams Foundation and may not be further reproduced without the prior written consent of the Foundation.

Featured Letter

from Vaughan Williams, Ralph, 1872-1958 to Frank, Alan, 1910-1994

Letter No. VWL3344

Letter from Ralph Vaughan Williams to Alan Frank (OUP)

Letter No.: VWL3344


From R. Vaughan Williams,
10, Hanover Terrace,
Regents Park,
London, N.W.1.

June 27th 1956.

Dear Frank,

I should like to see Mr Neve’s version and comments very much. But I am not quite happy about converting it into a school operetta, especially if that means cutting out all the more emotional parts, or, at all events, reducing them to a minimum.  I want it to be available for all amateurs, and feel sure young ladies at Peter Jones would revel in the love scenes!  Could we make a full version with optional cuts?  But it seems that the first thing to do is to get the libretto into our power by buying it from Joan Sharp, to whom I understand it belongs.   If we have not at present got any further I would suggest that I should buy it from Joan, and then you should take it over from me as if it were one of my compositions, and pay me a royalty on it.1
Yrs
RVW

P.S. Would you like to come and see me about it? I am stuck in bed with a bad leg – not serious, only tiresome – so it will have to be that way round.2
RVW


1. Frank had written the day before reporting proposals from William Neve, who had produced The Poisoned Kiss, Catalogue of Works 1936/4, at Cheltenham School, for adapting it as a school operetta: the libretto needed revision, perhaps based on the version prepared for their performance and the music needed simplification in the vocal parts with the accompaniment adapted for two pianos and percussion. Frank was worried about the need to keep the length of the work within reasonable limits. The libretto had been written by Evelyn Sharp, sister of Cecil Sharp. Joan was Cecil’s daughter.
2. VW had phlebitis of the leg – see R.V.W.: a biography, p.373.

A teacher's advice is not meant to be taken like a Pill but thought about & then: 1) adopted, or (2) rejected, or (perhaps best of all) (3) a 3rd course suggests itself from thinking the matter over.

RVW letter to GRACE WILLIAMS 1920

New York on the 26th, lecture at Yale on the 1st. Sail on the 4th. Ralph is terrifically well and bouncy and THRIVES on milkshakes and butterscotch sundaes.

UVW letter from New York to Michael and Eslyn Kennedy 1954

Most of Stravinsky bores me. I wish he even shocked me: especially the Rite of Spring...but I do like Symphony of Psalms, Les Noces, and the Suite for Violin and Pianoforte, of which I once heard a record under very peculiar circumstances, of which I will tell you one day.

RVW letter to MICHAEL KENNEDY 1957

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903