RVW’s Letters

ABOUT THE LETTERS

Ralph Vaughan Williams’s correspondence - with his friends, family, pupils and fellow musicians - paints an intriguing portrait of the man, as well as providing fascinating insights into his major preoccupations: musical, personal and political.

The VWF database includes transcripts of over 5,000 items of annotated correspondence, fully indexed and searchable, which can all be read online. It includes all the letters of Ralph Vaughan Williams known to the editors and is an ongoing project. Find out more about the database.

The text of letters written by Ralph Vaughan Williams remains in the copyright of the Vaughan Williams Foundation and may not be further reproduced without the prior written consent of the Foundation.

Featured Letter

from Vaughan Williams, Ralph, 1872-1958 to Foote, Guthrie

Letter No. VWL2388

Letter from Ralph Vaughan Williams to Guthrie Foote (OUP)

Letter No.: VWL2388


The White Gates,
Dorking, Surrey.

3rd April 1952

To confirm telephone conversation

Dear Foote

About two years ago I gave a private performance here of a small work for a chorus and orchestra with reciter, which Alan Frank heard, and I think approved of.1
I have now revised it and Mr. Rose2 of Queen’s College, Oxford wants to do it with his choir. There is not time, even if you were willing, to get the work out before June, when they want to perform it, but they propose that they should photograph sufficient vocal parts off the original manuscript for their purposes.
What I want to know is, how will this affect you if we ever propose to publish it?  Perhaps you will let me know your opinion about this, because Mr. Rose naturally wants the vocal parts as soon as possible.3
Yrs

R. Vaughan Williams

G. Foote, Esq.,
Oxford University Press.


1. An Oxford Elegy, Catalogue of Works 1949/2. The performance was given by the Tudor Singers under Harry Stubbs on 20th November 1949.
2. Bernard Rose, Organist of Queens College, Oxford 1939-1957 and of Magdalen College, Oxford 1957-1981. An Oxford Elegy was performed by The Eglesfield Musical Society with Steuart Wilson, conducted by Bernard Rose in the Hall of Queen’s College, Oxford, on Thursday 19 June 1952. Wilson was in tears at the end. Afterwards “we drove back with the Finzis to Ashmansworth” (RVW: a biography, p.321). They returned to London next day.
3. Foote replied on 4th April that Oxford University Press would publish the work and that when Rose had finished with the parts they should be sent to OUP and would be available to him thereafter without charge.

A teacher's advice is not meant to be taken like a Pill but thought about & then: 1) adopted, or (2) rejected, or (perhaps best of all) (3) a 3rd course suggests itself from thinking the matter over.

RVW letter to GRACE WILLIAMS 1920

New York on the 26th, lecture at Yale on the 1st. Sail on the 4th. Ralph is terrifically well and bouncy and THRIVES on milkshakes and butterscotch sundaes.

UVW letter from New York to Michael and Eslyn Kennedy 1954

Most of Stravinsky bores me. I wish he even shocked me: especially the Rite of Spring...but I do like Symphony of Psalms, Les Noces, and the Suite for Violin and Pianoforte, of which I once heard a record under very peculiar circumstances, of which I will tell you one day.

RVW letter to MICHAEL KENNEDY 1957

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903