RVW’s Letters

ABOUT THE LETTERS

Ralph Vaughan Williams’s correspondence - with his friends, family, pupils and fellow musicians - paints an intriguing portrait of the man, as well as providing fascinating insights into his major preoccupations: musical, personal and political.

The VWF database includes transcripts of over 5,000 items of annotated correspondence, fully indexed and searchable, which can all be read online. It includes all the letters of Ralph Vaughan Williams known to the editors and is an ongoing project. Find out more about the database.

The text of letters written by Ralph Vaughan Williams remains in the copyright of the Vaughan Williams Foundation and may not be further reproduced without the prior written consent of the Foundation.

Featured Letter

from Irving, Ernest, 1878-1953 to Vaughan Williams, Ralph, 1872-1958

Letter No. VWL2375

Letter from Ernest Irving to Ralph Vaughan Williams

Letter No.: VWL2375


Ernest Irving
4, The Lawn,
Ealing Green, W.5.

7th March, 1952

Dear V-W

The score of “Antarctica” arrived this morning.1 I have had, you may be sure, an exciting time reading it through. It will take, of course, some days to digest it but at first reading it gives an unmistakable impression of power, magnitude and colour. The tunes seem to me to stand up nobly to their new symphonic responsibilities, including the penguins!!
I am afraid the Intermezzo will become popular.
I am certain John Barbirolli will be delighted with it, and revel in rehearsing and conducting it. Its epic style and colourful illustration will suit him down to the ground — or I should say, down to the ice-floe. It is the first time that film music has been really raised to the loftier level of symphonic poetry, and it will be the first Symphony ever written that schoolchildren will enjoy as much as their elders.
I am really too excited to write any more, so will close with respect and affection.

Later, 4p.m.   I have read the score through again and though I naturally find it difficult to dissociate the music from the visuals of the film I feel confident that the music can stand by itself. One must remember that it was inspired by actual history and composed before the film was made and though it was applied ad hoc it possesses I think sufficient character and individuality to put it in the first rank.
It is not easy to compare it with VI because it is impressionistic and even descriptive, whereas VI was absolute and metaphysical. It has more unity of style with the Pastoral, which by the way, I am trying to get into the Phil2 programme for next season. I expect there will be a few half-blind critics who will imagine nothing good can come out of the Kinema but its strength, forthright style and simplicity of outline will I am sure find recognition from the great body of music-lovers, including naturally
Yours ever

Ernest Irving

P.S. Will write again later.


1. The Symphony was dedicated to Irving and was clearly newly completed. Its first performance was in Manchester on 14th January 1953, given by the Hallé orchestra under John Barbirolli.
2. i.e. the Royal Philharmonic Society, which gave the first London performance on 21 January 1953 with the same forces.

A teacher's advice is not meant to be taken like a Pill but thought about & then: 1) adopted, or (2) rejected, or (perhaps best of all) (3) a 3rd course suggests itself from thinking the matter over.

RVW letter to GRACE WILLIAMS 1920

New York on the 26th, lecture at Yale on the 1st. Sail on the 4th. Ralph is terrifically well and bouncy and THRIVES on milkshakes and butterscotch sundaes.

UVW letter from New York to Michael and Eslyn Kennedy 1954

Most of Stravinsky bores me. I wish he even shocked me: especially the Rite of Spring...but I do like Symphony of Psalms, Les Noces, and the Suite for Violin and Pianoforte, of which I once heard a record under very peculiar circumstances, of which I will tell you one day.

RVW letter to MICHAEL KENNEDY 1957

You have never lost your invention but it has not developed enough.  Your best – your most original and beautiful style or ‘atmosphere’ is an indescribable sort of feeling as if one was listening to very lovely lyrical poetry.

GUSTAV HOLST letter to RVW 1903